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Bad Education
Bad Education.jpg
ঘরানা নাট্য, রহস্য
পরিচালনা পেদ্রো আলমোদোবার
প্রযোজনা Agustín Almodóvar, Pedro Almodóvar, Esther García
চিত্রনাট্য Pedro Almodóvar
অভিনয় Gael García Bernal, Fele Martínez, Daniel Giménez Cacho, Lluís Homar, Francisco Maestre
সঙ্গীত Alberto Iglesias
চিত্রগ্রহণ José Luis Alcaine
সম্পাদনা José Salcedo
স্টুডিও Canal+ España, El Deseo S.A., Televisión Española (TVE)
মুক্তি ২০০৪
দৈর্ঘ্য ১০৬ মিনিট
ভাষা Spanish, Latin
রঙ Color
শুটিংস্থল Escuela Pías de Alella, Alella, Barcelona, Catalonia, Spain
রেটিংসমগ্র
IMDb ৭.৪/১০ (৩৬,২০০)
RoTo ৮৮% ()
Meta ৮১/১০০

চরিত্রসমূহ

  • Gael García Bernal — Zahara
  • Fele Martínez — Enrique Goded
  • Daniel Giménez Cacho — Padre Manolo
  • Lluís Homar — Sr. Manuel Berenguer
  • Francisco Maestre — Padre José
  • Francisco Boira — Ignacio
  • Juan Fernández — Martín
  • Nacho Pérez — Ignacio (as Ignacio Pérez)
  • Raúl García Forneiro — Enrique (as Raúl Gª Forneiro)
  • Javier Cámara — Paca / Paquito
  • Alberto Ferreiro — Enrique Serrano
  • Petra Martínez — Madre
  • Sandra —
  • Roberto Hoyas — Camarero

মন্তব্য

It begins in the present with a story about the past, presents that story as a film within the film, and then, if I am not mistaken, there is a paradoxical moment when the two categories leak into each other. It's like "Citizen Kane," where the memories of one character curiously contain the memories of another.

While you're watching it, you don't realize how confused you are, because it either makes sense from moment to moment or, when it doesn't, you're distracted by the sex. Life is like that.

There's no doubt in my mind that Almodovar screened Hitchcock's "Vertigo" before making the movie and was fascinated by the idea of a man asking a woman to pretend to be the woman he loves, without knowing she actually is the woman he loves. When she's not playing that woman, she's giving a performance -- in his life, although it works the other way around in hers.

I think it's really more about erotic role-playing: About the roles we play, the roles other people play, and the roles we imagine them playing and they imagine us playing. If Almodovar is right, some of our most exciting sexual experiences take place entirely within the minds of other people.

Roger Ebert